Have you ever needed play a YouTube video offline for a presentation or meeting? Or extract the audio from a YouTube video for similar use? While illegally downloading copyrighted material is not endorsed by Online Video Publishing [dot] com, here are two free online tools that can help you download non-copyrighted material.
This video comes by way of tech geek extraordinaire Chris Pirillo, as part of his mobile Q&A sessions which he recorded with his iPhone that was mounted on the dashboard of his Prius. He answers the question, “How to decrease video file size” and offers the following advise:
- Keep in mind that anytime you decrease the file size of you video, you are also decreasing the quality.
- Look at originating profile as a frame of reference (resolution, bit rate, codec, frame rate, audio settings, etc.)
- His favorite video encoder of all time is MPEG Streamclip, a free open source video conversion tool for Mac or Windows. While it’s not perfect it is easy to use.
- Frame Size: 720 x 480 (1280 x 720 if you have a Pro account and would like an HD version as well)
- Video Codec: H.264
- Audio Codec: AAC
- Video Bitrate: 3.5Mbps – 5.0Mbps
- Audio Bitrate: 128 Kbps
- Fast Start Enabled: Yes
This post comes by way of the YouTube Blog, and features a humorous approach to an often confusing subject – video compression. This video, Uploading 101 with Professor Compressor, is presented as part of Howcast’s ‘Modern 101 for emerging digital filmmakers’ published every Friday on the YouTube blog since October 1, 2010.
If you can see past the silliness and length of the video, Professor Compressor (played by Nardeep Khurmi, Howcast’s Post Production Specialist) does share helpful information on how to choose the right codec, aspect ratio and data rate when uploading a video to the web.
Reprinted from the YouTube Blog:
“What is a codec?
A codec is the format in which you compress your video. It could be a variety of different formats, but the most modern, powerful, and commonly used codecs are H.264 and MPEG-4.
Why H.264 and MP4 (MPEG-4)?
H.264 and MP4 are wunderful codecs! They allow you to have a tremendous quality video at a fraction of the file size. Lets look at a theoretical example:
You’ve finished editing and have made a beautiful 1920×1080 master file. But it is in the Apple Pro Res format, and is over 2GB. This file won’t work for the web. The video codec is too large and the file size is too big. Inevitably you will end up with a low quality video, because the master file is not designed and optimized for the web.
Take that file and transcode it into an H.264. Since web players are designed to work seamlessly with H.264, you won’t have to worry about choppy or corrupted playback. And H.264 encodes your video in such a way that you won’t see a noticeable drop in image quality. What you will see is your 2GB master file shrink to less than 500MB — perfect for the web!
Help, my footage looks stretched or squished and there are black bars bordering the footage!
This is a common problem that results from uploading an incorrect frame size. When uploading, you need to make sure the video is in the correct frame size for the player. This could be a variety of different frame sizes, varying from SD to HD, so check your website’s FAQ on uploading for instructions. The most common frame sizes are: 640×360, 640×480, 720×480, 1280×720, and 1920×1080.
This problem could also result from an incorrect Pixel Aspect Ratio. Pixel Aspect Ratio (or PAR) can be a little confusing, but the simple way to think of it is that this setting tells your program what aspect ratio to encode your video, at the pixel level. It determines how the digital information is presented and viewed onscreen. I recommend square pixels for HD, PAL for PAL, and NTSC for NTSC, though this can vary.. The best option is to play around with this setting when exporting until you get your video looking pristine.
Help, my video looks muddy and detail is lost. My text looks almost pixelated and the video is generally very low quality.
Low image quality is usually due to a low data rate when exporting your video. When exporting your video, you’re given many options; one of these is data rate. Setting the data rate to automatic will usually result in the best image. It is also highly recommended to do a multi-pass encode. It will take longer than a single-pass encode, but it will result in a much smoother video with higher image quality.
Well, that was a lot of information! Digest it, experiment, and start uploading those WUNDERFUL videos!”
Correction: Professor Compressor calls H.264 and MP4 or MPEG-4 both codecs and actually that’s not true. MP4 is a file container and H.264 is the codec or compression type used to encode MP4 file, and part of the MPEG-4 Part 10 or AVC (Advanced Video Coding) video compression standard. See this post for more clarification on codecs, containers, formats: Encoding Video for the Web – Slides from ReelSEO.com Webinar
In this short video from Sorenson Media blog Technical Support Specialist Jeff Udall provides a short explanation on the difference between the FLV (Flash Video) and SWF (Shockwave Flash) formats and how they work together to create the online video experience.